R. Parthiban

Raai Laxmi

Vadivelu

Mallika Sherawat

Madhan Bob

Chaams

Thiyagu

Aarthi Agarwal

Kalairani

Mohan Raman

Singamuthu

Bhuvaneswari

Arjun Ashokan

Ilango, kız kardeşini bir milyonerle evlendirmeyi arzulamaktadır. Bunun için zengin bir talip bulmak için elinden geleni yapar, ancak sonunda paranın her şey olmadığını anlar ve sevdiği kişiyle evlenmesine izin verir.

Süresi

Türler

Orijinal Adı

Uyarılar

Kundakka Mandakka

Ava Baya

Jalil Lespert

Jérémie Laheurte

Thibaut Evrard

Riadh Belaïche

Gérard Lanvin

Samir Decazza

Clémentine Célarié

Mohamed Makhtoumi

Céline Jorrion

Rayan Bouazza

Estelle Darnault

Olivier Schneider

Erkek kardeşi bir motorcu çetesi tarafından bir soyguna alet edilen eski bir motokros şampiyonu, ailesini güvende tutmak için en derin korkularıyla yüzleşmek zorunda kalır.

GTMax

Michail Trepashkin

Pierre Martinet

Andrea Slováková

In the second half of the 18th century, Jeremy Bentham designed the model of a panopticon, a type of building that made supervision most effective. Panopticons were firstly used for prisons, places where supervision and punishment are the main functions. Secret services but also different surveillance technologies are the new panopticons. They can monitor, save and store data about people to identify them, to distinguish the location and time of people’s behaviour and actions. Architecture theorist, software expert, people who are or were monitored, or the former secret service agents explain their panoptical experience. Reading again Michel Foucault´s Discipline and Punish, through experience with different kinds of supervision, in the film we are looking for the perfect application of the panoptical principle.

In Sight