“Homme-Sick” is a short, experimental film in which time itself becomes unhinged and deconstructed; the past and present merge together to create a new kind of temporality that is not predicated upon ridgid, linear, and formalistic impulses within narrative filmmaking. Made up almost entirely of archival footage - both found and from the artist’s own family archive - this film questions the relationships between toxic masculinity, family, the home, and transness, thus creating precarious spaces in which the voyeuristic impulses of the viewer are toyed with.