La La La Human Steps and Édouard Lock combines a revived cadence with strong images loaded with religious symbols, "Infante, c'est destroyer", is described by critics as a total, almost mystical experience that captivates the audience and plunges them into a state of trance. In Joan of Arc modern times, Louise Lecavalier, dressed in a coat of mail pierced by a sword or projected naked on a glass plate, dances with a dazzling intensity.