Within the framework of psychodrama, events of TV film "Dawah ela el-Maghool" begin, where Zinat and Gharib, who are united by fear and anxiety about their fate, are dominated by many questions that make their lives a mystery.

Süresi

Türler

Orijinal Adı

Uyarılar

Dawah ela el-Maghool

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

Ezzat Al Alaily

Layla Olwy

Sanaa Gamil

Yousra

Gamil Ratib

Huda Sultan

Hesham Selim

In 1990, Moumen Smihi briefly re-located to Cairo in order to work in the shadow of one of the world’s largest commercial film industries. The film that resulted from his Cairo sojuourn is a complex, painterly critique of the Egyptian musical and cinema star system. At the same time, the film shows the divergent states of possibility or despair faced by men and women within a changing Egyptian society. Smihi’s film plays out over thirty years and the events of the Nasserite years and the Palestine / Israel conflict become integral to the narrative. By blending newsreel footage with his own lush cinematography, Smihi creates a complex portrait of contemporary Egyptian society in the post-war years.

Moumen Smihi

The Lady from Cairo