Eileen Yaghoobian

Cup Cake is chubby eye candy. She takes us on a quest for the perfect dessert. She is proof that eating is sexy. Cupcake talks without shame, about desserts that she loves.

Süresi

Türler

Orijinal Adı

Uyarılar

Allyson Mitchell

Cup Cake

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

Anne-Marie Cadieux

Marie Gignac

Richard Fréchette

Alexis Martin

Éric Bernier

Marie Brassard

Patrice Godin

Jean Antoine Charest

Jules Philip

Tony Conte

Normand Bissonnette

Jean Leloup

Milton Tanaka

Hitomi Asahata

Yosh Tagushi

Michel Lee

Robert Bellefeuille

Lynda Beaulieu

Noriko Hisatomi

Kathia Bassanoff

Julie Shimotakahra

Nathalie D'Anjou

Denis Gaudreault

Denis Lefebvre

Abdul Aziz Rasuli

Yoshihiro Shimazu

France Larochelle

Marie-Anne Larochelle

Robert Norman

Pierre Auger

Sophie Faucher

Manuel Foglia

Jean Chrétien

Pierre Elliott Trudeau

Robert Lepage directed this Canadian comedy, filmed in black and white and color and adapted from Lepage's play The Seven Branches of the River Ota. In October 1970, Montreal actress Sophie (Anne-Marie Cadieux) appears in a Feydeau farce at the Osaka World's Fair. Back in Montreal, her boyfriend Michel (Alexis Martin) watches the October Crisis on TV and sees Canadian Prime Minister Trudeau declare the War Measures Act. The Canadian Army patrols Montreal streets. Sophie learns she's pregnant and phones Michel. However, Michel is immersed in politics, while Sophie rejects the amorous advances of her co-star (Eric Bernier), becomes friendly with a blind translator, and passes an evening with frivolous Canadian embassy official Walter (Richard Frechette) and his wife Patricia (Marie Gignac). Meanwhile, in Montreal, Michael plots terrorist activities. Commenting on East-West cultural distinctions, the film intercuts between Quebec (in black and white) and Japan (in color).

Robert Lepage