Greg Benzow

In this film essay, critic Peter Buchka explores the German cinema of the 1920s, ranging from the disquieting images of Fritz Lang's Metropolis to the castrating sexuality of Marlene Dietrich in Die Blaue Engel. The program provides an introduction to Weimar cinema, with Buchka's essay narrated over the images from film clips of 1920s era German films.

Süresi

Türler

Orijinal Adı

Uyarılar

Peter Buchka

The Haunted Screen: German Film After World War I

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

This remarkable trove of color footage, assembled from far-flung private and state collections, presents Hitler's Europe as never seen before. Amateur film enthusiasts - soldiers, tourists, Hitler's own pilot, even Hitler's mistress, Eva Braun - began experimenting with color film in the late 1930s, their camera eye recording the Third Reich from every angle. Some of this film was only recently uncovered in former Soviet-bloc archives, hidden for almost 60 years; all of it, thanks to digital technology, has been newly transferred to video with surprising clarity. (This documentary was produced with two different narratives, both an English and German language version.)

Michael Kloft

The Third Reich In Color