The widows of Ahatovici reminisce stories about their husbands and sons who were killed in a massacre during the Yougoslav civil war in 1992.

Süresi

Türler

Orijinal Adı

Uyarılar

Heddy Honigmann

Good Husband, Dear Son

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

Willem Wilmink

Marten Toonder

Wim Kayzer

On May 5, 2002, a conversation was broadcasted by the Dutch interviewer Wim Kayzer and three Dutch artists: the choreographer and writer Rudi van Dantzig (then 68), the songwriter and poet Willem Wilmink (then 65) and the illustrator-storyteller Marten Toonder (then 90). Three artists who would leave behind a magnificent legacy in terms of imagination, poetry and dance. But also three modest muses: they did not often and certainly not loudly beat the drum, while their work gave every reason to do so. Wim Kayzer had asked them to draw up a provisional testament. A testament about love, suffering, sexuality, the society in which they grew old, their work, their dreams, their youth, the Second World War, liberation, death and God.

Het Testament van de Danser, de Dichter en de Tekenaar