We come to Rome, the city more than any other that testifies to a rich historical past, as well as being a treasure chest of artistic masterworks, representing the fullest and unrivalled expression of human achievement. This city is the epicenter of cultural, religious, architectural and historical evolution of man, Rome's significance and contribution have stood through the tests of time.

Süresi

Türler

Orijinal Adı

Uyarılar

Rome, 1785

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

What do stones tell us when we look at them? I look, I see, I listen; Rue de Navarin, at the corner of Rue du Rocher and Rue de Rome, Rue Marie-Rose; from one side to the other, the echoes of my familiar ghosts and others. Like the pebbles of Tom Thumb, I follow the road of square stones; on the facades of the Paris buildings, the commemorative plaques attract me, pull me towards the country, the town of former times, they speak to me of succeeding ages. There are 2,000 plaques in Paris. First of all plaques were put up for great men, great politicians, great writers, great poets, great musicians, great soldiers: the Republic was making for itself a genealogy that was worthy of it. Here lived, here died, here lived, here died. Then it was great heroes, little heroes and anonymous heroes of wartime: they did not live, above all they died. I set off in search of these stories, in a ghostly Paris where, from plaque to plaque, the fragile, barely visible traces of forgotten lives unfold.

Paris Fantômes