Eugenio Bennato

Marco Vivio

Pietra Montecorvino

Mario Merola

Lello Arena

Saba Anglana

Tino Cervi

Francesco Paolantoni

Rosalia Porcaro

Antonio Conte

Paolo Serra

Giovanni Calò

Angela de Matteo

Ilaria Stagni

Fabrizio De Flaviis

Antonio Angrisano

Enzo Avolio

Gennaro Basile

Antonello Cossia

Massimo De Matteo

Tina Femiano

Gianni Ferreri

Christian Iansante

Manuela Massimi

Gianfranco Miranda

Carmen Pommella

Dora Romano

Roberto Stocchi

Lia Zinno

Naples, 18th century. Salvatore "Totò" Sapore, an unemployed minstrel, always manages to cheer up the hungry with his songs about good food, always upsetting Vesuvia, a magma witch who lives inside the Vesuvius.

Süresi

Türler

Orijinal Adı

Uyarılar

Maurizio Forestieri

Totò Sapore and the Magical Story of Pizza

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

The film sees a businessman (the Soho Eckstein figure from Kentridge's earlier films) standing on a hotel balcony watching the waves. Time passes, as the sea rolls back andforth in endless repetitions. We as viewers observed from his point of view. Then the scene shifts to a large drawing of a man, still in his business suit but now alternately sleeping and reading a newspaper at the water's edge in a deck chair. The drawing is folded into a series of images that provide a visual mediation on time's passage, on industry, on ildeness.  Kentridge's work is often densely allusive, and here the film alludes to the Old Testament. The artist expressedly indicates that biblical accounts has informed his thinking. It is what he refers to as being 'over-determined' in that the motif arises from several distinct sets of meaning.

William Kentridge

Tide Table