Jean-Jacques Goldman

Michael Jones

Christophe Deschamps

Claude Le Péron

Jackie Mascarel

Christophe Nègre

Songs performed during the concert: 1. Je marche seul 2. Répétitions 3. Nos mains 4. Petite fille 5. Encore un matin 6. Poussière 7. Je voudrais vous revoir 8. Juste après 9. En passant 10. Veiller tard 11. Flutiau et violon approximatifs 12. Et l'on n'y peut rien 13. Tournent les violons 14. Ensemble 15. On ira 16. Les choses 17. Né en 17 à Leidenstadt 18. C'est pas vrai 19. Présentation des musiciens 20. Nuit 21. Envole-moi 22. Puisque tu pars

Süresi

Türler

Orijinal Adı

Uyarılar

Gilbert Namiand

Jean-Jacques Goldman: Un tour ensemble

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

Mostafa El Affi

Laurent Chevallier

In Soisy-sur-École (Essonne, France), Mostafa, for thirty years in France, has just sold his grocery store to buy the village bar-tabac. Some time before, he had taken in Brahim, homeless after twenty years of work in Poissy and Marseille. At the grocery store, Brahim, always in a happy mood, had quickly become the town's mascot. Through Mostafa and Brahim, who died suddenly, Laurent Chevallier draws up a bitter observation of integration. Brahim lived alone in the middle of the woods and had sunk into alcoholism. Mostafa worked hard to get him back on track. Far from their native Morocco, their friendship was forged in the small grocery store. One found the warmth of a home and a job there, the other increased energy and an accomplice for a new project: taking over the long-closed café. But the adventure is brutally interrupted by the death of Brahim. In the company of Mostafa, Laurent Chevallier retraces, as far as Morocco, the chaotic life of a marginalized man, who has given no news to his family. He evokes the agony of the village of Soisy-sur-École, the latent racism of its inhabitants under the appearances, and captures in a sensitive way the questions about the notion of integration and the disillusions of Mostafa: "We were three at the burial. Where were those who loved Brahim so much?" Life without Brahim, Mostafa will not be able to resolve it, he will leave the village.

La vie sans Brahim