In 1977, on her way back home from school, a 13-year-old Japanese girl, Megumi, was abducted by the North Korean spies. Mirjam van Veelen’s film of the same title moves in-between the genre of documentary and drama. The film can be seen as an emotional testament to the experience of loss and love, as well as a political claim about the right to life perceived as the right to be free to imagine a future.