Volodymyr Abazopulo

Serhiy Dzhigurda

Bilyal Bilyalov

Viktor Kruchina

Marina Yagodkina

Mykola Boklan

Ostap Stupka

Taras Denysenko

Irma Vitovska

Iryna Bardakova

Vitali Rosstalnoy

Serhii Romaniuk

Heorhiy Morozyuk

Oleksii Vertynskyi

Valeriy Sheptekita

Валерий Неведров

Aleksandr Nikitin

Hryhorii Bokovenko

Oleh Drach

Oleh Savkin

Sergey Siplivyy

Andrey Moroz

Agafya Bolotova

Sergey Korshikov

Олег Цьона

Mykola Kartzev

Aleksandr Bezsmertnyy

Aleksandr Belina

Viktor Saraikin

Oleg Maslennikov

Nikolay Oleynik

Davyd Babaiev

Yuriy Mysenkov

Dmytro Lalenkov

Gennadi Bolotov

Olha Reus-Petrenko

Sergei Sibel

Vasiliy Fushchich

Olha Sumska

Rayisa Nedashkivska

Leonid Mikitenko

Valerii Lehin

Vyacheslav Slanko

Viktor Chernyakov

Film tells the story of one of the most difficult and tragic moments of the liberation war of Ukrainian people against the rule of Poland (1648 - 1657 years) - Battle of Zbarazh.

Süresi

Türler

Orijinal Adı

Uyarılar

Mykola Mashchenko

Bohdan Zynoviy Khmelnytsky

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

Mykola Veresen

Lyubov Timoshevskaya

Hanna Yarovenko

Dmytro Chernyavsky

Ilona Arsentieva

This film is about what the routine of everyday life can do to the human mind and psyche. It also reflects on the importance of the choices we make and how limited these choices are in the first place. The plot evolves around a family of four. They live in the suburbs, in a strange villa that appears, through a complex game of mirrors, to be more like a piece of installation art than a real house. The main character, who hardly appears on screen, is the son, a man in his thirties. Suffering from asthma and eczema since childhood, he uses his condition to manipulate his parents and his sister. Thus the existence of the terrorized family turns into an endless ritual of attempting to satisfy his whims, and always on the alert for yet another one of his “health crises”. Las Meninas resembles the scattered pieces of a puzzle. It is up to the viewer to assemble them in order to form his very own picture – something that makes the film itself personal and unique.

Ihor Podolchak

Las Meninas