Hugo Weaving

Tom Russell

Anita Hegh

John Brumpton

Kelton Pell

Sonya Suares

Adam Morgan

Chrissie Page

Mick Coulthard

Loren Taylor

Küçük bir çocuk babasıyla beraber Avustralya’yı bir uçta bir uca gezeceği bir yolculuğa çıkar. Yolculuk her açıdan sıkıntılı geçmektedir; yolculuğun zorlukları dışında, peşlerindeki polis de sıkıntı yaratmaktadır.

Süresi

Türler

Orijinal Adı

Uyarılar

Glendyn Ivin

Last Ride

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

Lucky and Bongani pretend to be cool and in the know. To survive in a Cape Town township, they learned their lessons early: where to get drugs, where to get money, how to pick up girls and how to get rid of them. Their mother does not pay much attention to her sons, but at least their grandmother is on their side. The two brothers share everything: the bed, the food and now even an accusation of murder. The first thing they get in prison is an unmistakable lesson about the rules there. No question, newcomers are always at the bottom of the hierarchy. They must learn quickly who may be attacked and who must be served. A matter of survival in jail. Out on bail, something special awaits them - an initiation of a different kind. The brothers move through three cultures, each of which calls for its own gestures and rituals. The deep rift between the generations becomes painfully obvious. The old people still have the sense of honor of African tradition; their successors have only a tiny chance of escaping the squalid suburbs. What will be their package in life? Through a clever dramatic narrative structure, the film rises above a social environment study to become a far-ranging discourse about the future of an Africa ground to pieces between tradition and modernity.

On the Other Side of Life