Sayaka Akimoto

Tomomi Itano

Ayaka Umeda

Kazumi Urano

Yuko Oshima

Tomomi Kasai

Haruna Kojima

Yukari Sato

Mariko Shinoda

Minami Takahashi

Natsumi Hirajima

Atsuko Maeda

Yuka Masuda

Natsumi Matsubara

Minami Minegishi

Sae Miyazawa

Süresi

Türler

Orijinal Adı

Uyarılar

「見逃した君たちへ」チームA 1st Stage「PARTYが始まるよ」公演

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

Beethoven said that Bach was not a stream but a sea. Bach's music is to a small film like an ocean is to a nutshell: as it cannot be contained in any way, only its abstraction can be grasped. The art of the fugue, without apparent instrumental destination and without a name, is left unfinished by Bach and constitutes, together with the last, in some enigmatic ways, works (The musical offering, the Goldberg Variations, the Canonical Variations ...), a conscious testament for the future, for eternity. Escape, by its musical nature, is a perpetual engine, which has no end, so only an abrupt interruption can end it. Its incompleteness is an indication of its boundless completeness. The thought that is transferred to paper and returns to the mind of the "reader" thus becomes the perfect synthesis of Bach's genius and of the music itself. And as if by magic it can be enclosed in that small vase which is the magic lantern of cinema, where the many events and the many places lived by Bach will also find a place. The other challenge is to lower this musical thought, probably destined only for the keyboard, in the materially and concreteness of the colors of all possible instruments, such as a gigantic keyboard of colors, as if to make it tangibly and overwhelmingly visible to everyone.

Sul nome Bach