Marin lives alone in a hut in the middle of the grand extents of Argentina. A few visits sometimes break his solitude. The meeting with a foal gives a human dimension to this wild tale. A western without shots nor fights.

Süresi

Türler

Orijinal Adı

Uyarılar

Aurélien Leveque

El puesto

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

It is February, when nearly 60 women who make up Ballet 40/90 meet to begin work. For the next 8 months, difficult rehearsals are ahead of them. The group is made up of housewives, employees, psychologists, teachers, traders. Some are married women; others are singles, widows or divorced women. The youngest is 47 years old, the eldest is 81, and except one of them, no one has ever danced as a professional. Elsa, the Ballet director, arrives with the weight of her 87 years of age on her shoulders. This great and hyperactive white hair woman, who carries a walking stick, is the one responsible for creating the choreographies, for adapting the music, designing costumes and deciding lighting, among lots of other things. Rehearsals follow one after the other in pursuit of perfection. Each step, each hand and each gesture will exactly match with the ones Elsa has designed. They repeat each gesture once, a hundred times, a thousand repetitions until they manage each gesture. Cha-cha-cha, classical music and even military marches are some of the 20 musical genres chosen in order to shape this year's show. Choreographies are shaping up. Finally the opening night comes. Dressing rooms are packed with people. Shoes, dresses and lash extenders are everywhere. "To the stage!" one of them shouts. 58 wonderful women take each other's hand on the stage of the Empire Theatre. Elsa gives the final instructions. They wish each other "much, much merde!" The theatre is ready!! The show begins.

Darío Doria

Elsa and Her Dancers