What started as a singular conversation with Patrick O'Connell, Founder of Visual AIDS, about bringing the red ribbon to the world, grew into a symphony of New York City artist voices sharing their passion, compassion, pain, and strength in the face of AIDS. For the first time they collectively impart their journey into why we act and why we love. This is the story of how they responded.

Süresi

Türler

Orijinal Adı

Uyarılar

Demetrea Dewald

Let the Record Show

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

The international success of Iranian cinema over the past decades may have veiled the fact that Iranian filmmakers work under extremely harsh circumstances rarely seen in other national cinemas. Filmmaking in Iran is subject to tight government controls and strict censorship codes ranging from banning any criticism of the regime to highly restrictive codes on representation of women and their interactions with men. The imposed codes have undermined the creativity of the filmmakers and their ability to tackle pressing social issues. "A Cinema of Discontent" explores the censorship codes through analyzing dozens of clips from mainstream and art-house films. It features insightful interviews with 12 Iranian filmmakers, including the internationally-acclaimed directors Jafar Panahi, Bahman Ghobadi, and the Oscar-winning Asghar Farhadi (A Separation) The Film also documents the brave efforts of the filmmakers whose defiance and subversion of the codes have been be punished by being banned from working, imprisonment, and forced exile.

Jamsheed Akrami

A Cinema of Discontent