Martín Despaux

Bruno Pereyra

Graciela Iraola

Martin Figueredo

Summer is ending and the family hasn't been to the old summerhouse in years. A neighbor calls, warning about noises. Two cousins, Pablo and Nico, have to go and find out what happened, not knowing that they'll find something more than a burglary.

Süresi

Türler

Orijinal Adı

Uyarılar

From the White Houses

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

An award-winning adaptation of Dostoevsky's little-known masterpiece by 'Russian Nights' Theatre of St. Petersburg (Best Performance Award, St. Petersburg Theatre Critics Award for Detailed Research into Spiritual Life of Man, Grand Prix of Third St. Petersburg Independent Theatre Festival), Netochka tells the story of her childhood in which her extraordinary stepfather--a drinker, dreamer, and gifted violinist--transformed yet exploited her and destroyed her mother in his descent into insanity. "This is a simply stunning performance in every way. ...An acting masterclass." BRITISH THEATRE GUIDE "Filatova gives a luminously radiant performance as the abandoned girl, against a background of light and music co-ordinated with great style by director Alexander Markov." SCOTSMAN "Filatova has an obvious talent as an actress... she is totally absorbed in the role and convinces. There is something engrossing about her...she has the ability to draw the audience in and allow them to accompany her on her journey." THE STAGE Alexander Markov's direction, coupled with Vera Filatova's mesmerizing sharp performance delivered a wonderfully gentle portrait of one young girl's desires. Not to be missed." ISLINGTON GAZETTE "A stunning Vera Filatova plays Netochka, who recounts the story of her destitute childhood under the spell of her eccentric and unworldly stepfather. A one-woman show is always a stern examination but Vera's masterful performance reveals a vulnerable nine-year-old and all her childhood foibles - almost imploring the audience to reach out and save her." NEW CAMDEN JOURNAL.

Nameless Nobody