In Haiti, the ancestors say if something is foretold, it will happen no matter how, and nobody can change that. Artist Celeur is inspired by this Voodoo culture to create his sculptures, a reflection of the complex reality of this Caribbean country. The thoughts of the sculptor are framing the lives of Oriental, a waif youngster and Marah, who had to live by herself as a street kid in Port-au-Prince. A portrait of Haiti, and a vindication of the African roots of the country.

Süresi

Türler

Orijinal Adı

Uyarılar

Raúl de la Fuente

I Am Haiti

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

Mario Zorrilla

Marisol Membrillo

Juan Carlos Vellido

Maggie Civantos

The film Crustaceans treats itself like an impressionist picture or a Japanese Haiku. Crustaceans is a matter of reflection on an instance in life with the social-economical crisis as a landscape.  The heartbreak in times of crisis. The film was filmed as demonstrations in the streets against crisis and social welfare cuts took place.  For two years, it filmed street demonstrations and incorporated actors in the social landscape. The result, is a film in which the collective and the intimate come together.  Both the characters and the people in the street, like identical crustaceans, take to the street to express their shame and rage for what is happening and try to find a solution.  A time of anxiety, uncertainty and protest that conforms the landscape in which the characters, such as crustaceans hide their wounds under their hard shell is seen.

Vicente Pérez Herrero

Crustaceans