The Maison Michel Sarrazin is a house where people are going to die. Patients spend their last days there trying to recover the dignity that the disease has robbed them long ago. The gaze of Carole Laganière, one of Québec's most renowned filmmaker, is concerned with collecting gestures that still link death and life.

Süresi

Türler

Orijinal Adı

Uyarılar

Los adioses

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

The documentary Autour de Maïr, traces the long and exhausting road that led to the recognition of literature by women. For many centuries, their writing was considered to belong to the domestic sphere, to concerns involving the home or family correspondence. It was long held that women could only write letters or their private diaries. "For me, reaching out to literature was like emerging from the wilderness," says Jeanne Hyvrard. Co-founder and first director of the Simone de Beauvoir Institute (Montreal 1978), Maïr Verthuy introduced the first course in women's literature at Canadian universities and opened the way for women's writing to be published, read, taught, and translated. Interviews with the following: feminists, feminine poets, Québec and French women writers: Madeleine Gagnon, Jeanne Hyvrard, Hélène Monette, Martine Delvaux, Gloria Escomel, Liliane Kandel, Wassyla Tamzali, Benoîte Groult. DOCUMENTAIRE de 91 min.

Autour de Maïr