Grete Stern decided to be a photographer. Then she also decided to be Argentinian. Those two choices are interwoven in a unique heritage, of paramount importance for modern Argentinian photography, that helps us better understand the world we live in and the worlds that live inside us.

Süresi

Türler

Orijinal Adı

Uyarılar

Matilde Michanié

Grete, la mirada oblicua

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

Continuing the series started with Intervened Events (2014), the Buenos Aires Film Museum presents the second feature film made entirely with material from its archives and by fourteen outstanding Argentine filmmakers. These are nine issues of Cine Escuela Argentino, a project created in 1948 by the Argentine Ministry of Education during the first government of Juan Domingo Perón. The latter promoted “the use of the cinematographer as a didactic assistant destined to complete the educational and cultural work, mainly in what concerns exalting the feelings of the nationality, with the heroic example of the heroes, Christian morality and the multiple civil duties, great and small”. Hence, most of the films produced by Cine Escuela Argentino were aimed at scientific dissemination and tourism promotion of the various regions of the country. (Museum of Cinema)

Albertina Carri

Carlos Echeverría

Celina Murga

Juan Villegas

Daniel Rosenfeld

Delfina Castagnino

Enrique Bellande

Hernán Rosselli

José Celestino Campusano

María Alché

Juan Pablo Menchón

Mateo Bendesky

Matías Piñeiro

Nele Wohlatz

Nicolás Prividera

Santiago Loza

Lorena Moriconi

Intervened Archives: Cinema School