Carlo Brandt

Adam Tooze

Jean Ziegler

Hans-Ulrich Jost

Pietro Boschetti

Jean-Pierre Roth

Marc Perrenoud

João Paulo Avelãs Nunes

Sébastien Guex

Ruth Dreifuss

Madeleine May-Kunin

Christoph Meili

Jean-Christian Lambelet

Süresi

Türler

Orijinal Adı

Uyarılar

Olivier Lamour

La Suisse, coffre-fort d'Hitler

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

Philippe-Alain Michaud

Enrico Camporesi

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves!  Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

Marianne Alphant

Pascale Bouhénic

Philippe-Alain Michaud, le réel traversé par la fiction