The film is a mixture out of documentary observations from Brazil in the year 2016 with the poem "Morte e Vida Severina" from the year 1955. It is portraying a postcolonial society with its people and landscape.

Süresi

Türler

Orijinal Adı

Uyarılar

Morte e Vida

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

The esoteric scene may be a bit wondrous for some. Their followers believe in the supernatural, preach love, peace, and call for a return to ancient wisdom. Most consider it as unpolitical. But are these people really as harmless in this regard as they first seem? If you look closely you will also find political content in this scene and more and more often even extreme, nationalistic, racist and anti-Semitic ideas as well as a mistrust of science. The mindset of the scene is spread at congresses and events, but also via the so-called alternative media, so that it reaches more and more people. The documentary provides insights into this world of self-suppliers, nationalist settlers, members of the Reichsbürger scene and members of the Anastasia movement.

Gefährliche Allianz: Grüne Esoterik und braune Philosophie?