“The Mutan tree, well we say tree, but originally it’s a liana that uses the tree to climb. And its grasp ends up killing the tree. That’s what is going to happen between us and the companies.” In Sarawak, one of the two Malaysian states on the island of Borneo, the Penan — who not that long ago were still nomads — are the first to be affected by deforestation.

Süresi

Türler

Orijinal Adı

Uyarılar

Cyprien Ponson

Caroline Parietti

BE' JAM BE the Never Ending Song

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

In 2009, the bodies of dozens of migrants, who had been trying to reach Europe via the Canary Islands, were washed up by ocean currents onto a beach in Mauritania. Among these bodies was that of a young white woman. Intrigued by this incident, eight years later, the filmmaker returns to Senegal, where he had been involved as a producer in shooting a famous film. He says: “Coming back to Africa plunged me into different emotions: the adoption of my African children whom I’d intended to raise there, friends who collaborated closely on the film Hyènes and who died too young and whom I’ve never really mourned…” The powerful images of the film, a film adaptation of The Visit by Friedrich Dürrenmatt, are combined with those of the present, where Pierre-Alain Meier, with the help of a few travelling companions, meets the witnesses and those responsible for this terrible incident, as well as with the intimate pictures from his family archives, dedicated to his three Ethiopian children.

Pierre-Alain Meier

Adieu à l'Afrique