Ching Valdes-Aran

Veraalba Santa

Jasmine Holloway

When you drop off a bag of dirty laundry, who's doing the washing and folding? The Washing Society brings us into New York City laundromats and the experiences of the people who work there by observing these disappearing neighborhood spaces and the continual, intimate labor that is performed there.

Süresi

Türler

Orijinal Adı

Uyarılar

Lynne Sachs

Lizzie Olesker

The Washing Society

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

Using a simple interview-style, and nuanced editing, PARTNERS will present 15 partners discussing the choices they've made in deciding on their mate(s). At its heart, the film is about acceptance; a gentle message that we shouldn't judge the choices of others, just because they aren't the choices we might make. The interview subjects represent a wide spectrum of relationships. We meet two friends who married twenty years ago to raise a child. A single man talks about the fulfillment of living with his cat. Other subjects include: a couple of furries; a man in prison for 15 years and his wife who sticks by him; a Indian couple in a traditional arranged-marriage; two women who have lived together platonically for 40 years; a woman and her cuckold husband, married for over 20 years; and a male-female couple who met in a burlesque show. Partners is not scripted. The words and thoughts are expressed on the spot by the interviewees; they are honest and extemporaneous with only occasional prodding questions from the director. After closing one interview session, a woman told her long-time partner "I never knew you felt that way." Although each interview presents a singular story, what makes PARTNERS unique is the intimate time we spend with all the subjects, and how much so many of these widely varying relationships actually have in common. We hear their stories, laugh and cry with them, and generally agree that whatever works . . . works.

Henry Horenstein

Partners