Sallisa Rosa

Vinicius de Moraes

Antônio Carlos Jobim

Cid Moreira

Fourth chapter of the "Atlas", "The Crystallization of Brasília" explores the ideia of the future as a petrified past. In an accelerated geological time, centuries crystallize in a few months in the form of a city. This process is driven by the force of mystical rationalism, who has the power to embalm ideas and social structures so that they last forever.

Süresi

Türler

Orijinal Adı

Uyarılar

Guerreiro do Divino Amor

The Crystallization of Brasília

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

The indigenous woman Mãtãnãg follows the spirit of her husband, dead bitten by a snake, to the village of the dead. Together they overcome the obstacles that separate the earthly world from the spiritual world. Once in the land of the spirits, things are different: other ways govern the supernatural. But Mãtãnãg is not dead, and his soul must return to living with the living. Back in his village and reunited with his relatives, new vicissitudes during a ritual will provide the opportunity for them to once again be alive and dead. Mãtãnãg is based on a traditional history of the Maxakali people. The illustrations for the film were made in a workshop in Aldeia Verde, in the municipality of Ladainha (Minas Gerais).

Shawara Maxakali

Charles Bicalho

Mãtãnãg, a Encantada