The silence behind the genocide of the Rohingyas in Burma.

Süresi

Türler

Orijinal Adı

Uyarılar

Shahida Tulaganova

EXILED Rohingya

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

An egg that won’t crack. A mermaid who wants to do the splits. A breast that won’t lactate. A pelican that pecks itself.  This performance to camera builds on a series of live works made in 2018 and develops a free-associative language to discuss the lived experience of fertility treatment. Viriditas is a concept associated with the medieval mystic Hildegard of Bingen – a notion of spiritual ‘greening’, which here is applied to the female body. Performative action is layered with readings of Hildegard’s texts and coded watercolour drawings. Other points of reference include Carlo Crivelli’s portraits of the Virgin and Child; the lactating nereids on the Fountain of Neptune in Bologna; and the pagan-Catholic hybrid goddess, Madonna of the Wheat. This work is supported by a bursary from a-n The Artists Information Company and supported using public funding by the National Lottery through Arts Council England.

Holly Slingsby

Approaching Viriditas (Epilogue)