Franziska Hartmann

Claudio Magno

Kai Ivo Baulitz

Nicole Johannhanwahr

Davina Donaldson

Elias Reichert

Marita Breuer

Leon Kamps

Demet Fey

Mareile Blendl

Bilal Bahadir

Ilse Strambowski

Ursula Michelis

Lydia Stäubli

Rebecca Madita Hundt

Stefan Lampadius

Ingo Haeb

The story of a single mother struggling to regain control of her life. While living rough in a forest she fights to find a place in the world for her and her son, but her earnest attempts are continually thwarted.

Süresi

Türler

Orijinal Adı

Uyarılar

Christina Ebelt

Stars Above Us

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

Thomas Melle

We mostly think of robots as work machines, as efficient and precise executors of tasks. In German industry, they barely look like people, to avoid emotional complications. Unlike in Asia, where humanoid robots have already been developed for some time, for example for care-work or as sex partners. The external similarity to human beings makes the acceptance of machines easier. However, if the machine is too similar to a human, we begin to feel mistrust: what is human, what is machine? Japanese robotics researchers call this weird similarity the “uncanny valley”.  For his play, Stefan Kaegi works with a writer and playwright for the first time: Thomas Melle allowed an animatronic double of himself to be made. This humanoid takes the author’s place and throws up questions: what does it mean for the original when the copy takes over? Does the original get to know himself better through his electronic double? Do the copy and his original compete or do they help each other?

Rimini Protokoll

Stefan Kaegi

Rimini Protokoll: Uncanny Valley