Hilja Paloniemi

Saara Raivio

Vilho Körkkö

Martti Rajala

Väinö Kotila

Helja Heikkinen

Old photographic plates were found from Louejärvi village in Rovaniemi. Young photographer Hilja Paloniemi was given the job to help to clean the photographic plates. It was found out that the old photos were taken by Matti Körkkö in the early 1900s, including pictures of legendary Nätti-Jussi.

Süresi

Türler

Orijinal Adı

Uyarılar

Heikki Huttu-Hiltunen

Nätti ja Matti

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

Through the recovery and re-montage of various film fragments and the commentary of three filmmakers - Carlos Álvarez, Marta Rodríguez, and Carlos Sánchez - a historical and aesthetic journey is proposed through a foundational moment for filmmaking in Colombia (1965-1975), whose images constitute a revolution on the screen. This documentary journey tells how, at a time when the film industry was just being consolidated, a generation of young filmmakers brought about a moment of rupture, subverting official cinema by taking the media to experiment, denounce and narrate other realities in Colombia at the end of the 1960s.

Marcos Montes de Oca

The end  justifies the fears