Cecilia Berntsson

Mats Karström

Rebecka Le Moine

Jennie Nilsson

Po Tidholm

Steve Daurer

Sebastian Kirppu

Leif Lundberg

Malin Sahlin

The battle for the last Swedish natural forests

Süresi

Türler

Orijinal Adı

Uyarılar

Peter Magnusson

Om skogen

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

Mac Andre Arboleda

Sheena Absalud

Image production is fiction-weaving. Together with Sheena Absalud, we spent an entire day in Pride Month in my room documenting ourselves using different cameras: three mobile phones, one action camera, one CCTV camera, and one laptop, while asking each other questions about our asexuality. Recognizing the role of the moving image in constructing prejudice, self-identity, and desires, and therefore the expansion of neoliberalism, "The Function of Fiction" attempts to abandon temptations to define “asexuality” and its place in the context of “LGBTQIA+”, in pursuit of new socialities and possibilities. Music in the film was spawned with plants and machines.

The Function of Fiction is the Abstraction and Simulation of Social Experience