What remains after a film critic? Books, articles, students, festival programs, and television programs - these are all that can represent them in the public space. Kirill Razlogov - film scholar, cultural historian, critic, and TV host - was a multifaceted and versatile figure. He headed the Guild of Film Scholars and Critics of Russia. In fact, Razlogov entered the world of cinema three times, each time radically changing his life. He began working at the State Film Archive (Gosfilmofond), then moved into television production, focusing on domestic postavangard cinema (Tractor Drivers II). Later came his programs From Film Avangard to Video Art and Cult Cinema with Kirill Razlogov on the Kultura TV channel. The key concept of his historical theory of cinema as media communication, which Kirill Emilievich developed across all "formats," including festival ones, was counterphase. This represents a specific state of Russian culture between the West and the East, where our "universal responsiveness" unexpectedly resonated with modern "multiculturalism." The program Documentary Camera offers a unique opportunity to peek into the laboratory of a researcher whose earthly journey has ended, but whose life, according to Bakhtin, in Great Time - is only beginning.