A classic fifty-two pages norma notebook was given to every artist as part of a collective project by La Ramona Proyectos called Dibujo libre (free drawing). Twenty one artists from South America participated, most of them from Bogotá. The notebooks have been exhibited in Argentina, México and Perú. This is Camila Garcia's notebook.

Süresi

Türler

Orijinal Adı

Uyarılar

Camila Garcia

Mosaicos

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

For Yilmar Leandro Gónzalez, a afro-colombian fighter and gardener of his neighborhood's cemetery, life happens in between contrast: with the same hands he punches his contenders in the ring, he nourishes the life that grows amidst the graves. In his craft he has won the national champion and other prizes. He is considered a promise to his region and the country. Every day, after practice, he leaves his gloves and becomes the gardener for the cemetery of his neighborhood: Siloé, in Cali, where his alcoholic mother and siblings live. Yilmar does not fear death, he fears defeat and oblivion. This is not a movie about sports, neither is it about death by violent causes. It's the story of a man that decides to fight for his future and the future of his community, a portrait of the job of the sportsmen in our country, a job that is out of breath and still goes on, against all odds, planting flowers on the destruction of a society without government.

Nocaut