A journey back to the darkest years of the military dictatorship, where Valeria Sarmiento, using for the first time in her career her own voice, reflects on the traces of the political violence of that period and summons the testimony of victims and privileged witnesses, but also the opinion of scientists, memory theorists and researchers of genocides of other times. The result is an intimate account of how these traces have impregnated our life stories, our bodies and also our landscape.

Süresi

Türler

Orijinal Adı

Uyarılar

Valeria Sarmiento

Traces

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

The film highlights the relationship between women’s growing social empowerment and the rise in sexual abuse by men – a trend that was the opposite of what was largely expected to happen. The film revolves around Marina Valcarenghi, psychotherapist and psychoanalyst with a forty-five-year career in clinical work that has allowed her to observe the persistence of women’s insecurity, despite the economic and social independence they have gradually achieved, and understand why. Valcarenghi was the first to introduce psychoanalysis in prisons, starting with the Opera and Bollate penitentiaries. For twelve years she worked with male inmates held in solitary confinement; most of them had been convicted of sexual violence.

Yuri Ancarani

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