Nurith Aviv

For the first time, filmmaker Nurith Aviv sits down in front of the camera. As the defenders fall out, her unique life story as the first woman cinematographer in Europe turns out to be the key to her own films.

Süresi

Türler

Orijinal Adı

Uyarılar

Nurith Aviv - Woman with a Camera

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

Two films that create one work about the 1948 War of Independence unfold along two axes. One in the past, retelling the events of the war through journals and letters that were written in real time – an ensemble of voices, Jewish and Arab, that create a human story about that dramatic war and allow a glimpse into the way the perception of this war was constructed on both sides. They’re accompanied by breathtaking original footage, a great part of it being shown for the first time.  In the present, the characters are battling over the war’s memory – researchers, archivists, members of the unit for detecting missing soldiers. Some are charges with maintaining the ethos, other with its deconstruction. Each one of them believes that how memory of this crucial war will be embedded is critical to the future of our lives here in Israel.

Neta Shoshani

1948 - Remember, Remember Not