Jehnny Beth

Valerie Solanas

Andy Warhol

New York, June 3, 1968. Valerie Solanas enters the Factory, Andy Warhol's studio, and fires three shots at him, who miraculously survives, but is seriously wounded. What led this woman to try to kill the famous pop artist, as well as to write a manifesto calling for the eradication of men?

Süresi

Türler

Orijinal Adı

Uyarılar

Ovidie

I Shot Andy Warhol: SCUM Manifesto

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

Jean-Luc Godard

How do you craft the portrait of Jean-Luc Godard, or better yet a portrait of his methodology, his universe, his way of constructing or deconstructing cinema, that is equal to his own cinematic audacity and genius? How could it be anything other than by taking risks, and trying out equally radical methods, never straying from to his example. The two filmmakers immerse us into the storage warehouse where, in 2010, all the archives kept by Godard in Switzerland were transferred, and they create a doppelganger (or a duplicate) of the director, who takes up the role of our guide into his world. Excerpts from his writings, his images, his perspective in cinema give us a glimpse into his mythology, his techniques, his singular gaze, and therefore also in his worldview. His questions, his relentless experimentation in cinema, and the nature of creation are showcased here as being both truly prolific, as well as still relevant, while they are intricately intertwined into a film essay that we are certain even Godard himself would have enjoyed.

Arnaud Lambert

Only Godard