Süresi

Türler

Orijinal Adı

Uyarılar

The Art of Destruction

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

Origin sticks like shit to your shoe. That's what Marlen Hobrack says, who grew up as a working-class child in Bautzen. But the promise of the old Federal Republic was that you can become anything if you just try hard enough. But that no longer applies. So is class in Germany fixed from birth? Have we long been living in a country in which origin and family background are more important for future prospects than individual performance and commitment? In Germany, it takes six generations to rise from poverty to the middle class, in Denmark only two generations. Those affected reflect on their life stories, the burden of their social origins, the wrong and right turning points for social advancement, as classified by social researchers. They talk of pride and shame, of financial hardship and wealth, of origin and future, of growing up and moving up in this Germany with its entrenched selection mechanisms for social advancement.

Das falsche Versprechen vom Aufstieg