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Cranham trained for acting at the National Youth Theatre of Great Britain and then studied at RADA, graduating in 1966. His association with Orton continued that year with a role in 'Loot' at the Royal Court (and, subsequently, at the Criterion Theatre). The actor later remarked that this role set him up "for all the hoodies in Softly, Softly, Z Cars and New Scotland Yard." With his craggy features and gruff voice, it is hardly surprising that Cranham has often been cast in tough or villainous roles. On screen from 1964, he first came to notice as Noah Claypole, one of Fagin's gang of pickpockets, in Oliver! - Masum melekler (1968). His first starring turn was in the comedy series Shine on Harvey Moon (1982) as the titular character, a demobbed RAF corporal. Other notable roles across diverse genres have included the callous Gratiano in The Merchant of Venice (1980), Lenin in Reilly: Ace of Spies (1983), a wealthy, despotic landowner in Heart of the High Country (1985) (set in 1880s New Zealand), the comically over-zealous Pastor Finch in Oranges Are Not the Only Fruit (1989), British gangster Gus Mercer in El C.I.D. (1990), cunning magician Aulfric in Merlin (2008), a scurrilous newspaper editor who gets his comeuppance in Hustle (2004) and Caesar's rival Pompey in Roma (2005). A more recent TV guest spot saw Cranham as an ailing patient in India, attempting to rediscover a lost love in season three of The Good Karma Hospital (2017). He has also essayed real life barristers Michael Mansfield Q.C. (The Murder of Stephen Lawrence (1999)) and George Carmen Q.C. (Justice in Wonderland (2000)).

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Cranham trained for acting at the National Youth Theatre of Great Britain and then studied at RADA, graduating in 1966. His association with Orton continued that year with a role in 'Loot' at the Royal Court (and, subsequently, at the Criterion Theatre). The actor later remarked that this role set him up "for all the hoodies in Softly, Softly, Z Cars and New Scotland Yard." With his craggy features and gruff voice, it is hardly surprising that Cranham has often been cast in tough or villainous roles. On screen from 1964, he first came to notice as Noah Claypole, one of Fagin's gang of pickpockets, in Oliver! - Masum melekler (1968). His first starring turn was in the comedy series Shine on Harvey Moon (1982) as the titular character, a demobbed RAF corporal. Other notable roles across diverse genres have included the callous Gratiano in The Merchant of Venice (1980), Lenin in Reilly: Ace of Spies (1983), a wealthy, despotic landowner in Heart of the High Country (1985) (set in 1880s New Zealand), the comically over-zealous Pastor Finch in Oranges Are Not the Only Fruit (1989), British gangster Gus Mercer in El C.I.D. (1990), cunning magician Aulfric in Merlin (2008), a scurrilous newspaper editor who gets his comeuppance in Hustle (2004) and Caesar's rival Pompey in Roma (2005). A more recent TV guest spot saw Cranham as an ailing patient in India, attempting to rediscover a lost love in season three of The Good Karma Hospital (2017). He has also essayed real life barristers Michael Mansfield Q.C. (The Murder of Stephen Lawrence (1999)) and George Carmen Q.C. (Justice in Wonderland (2000)).

For the big screen, Cranham has been notable as the maniacal Dr. Channard in Hellbound: Hellraiser II (1988), double-dealing mob boss Jimmy Price in Bir Dilim Suç (2004), another elder statesman of the London underworld in Gangster No. 1 (2000), farmer James Reaper in the buddy-cop comedy Sıkı Aynasızlar (2007) and as the tyrannical King Henry, a main antagonist in Disney's Malefiz (2014).

The actor has been equally prolific on stage where he has headlined as the amoral title character in Orton's play Entertaining Mr. Sloane. He was much acclaimed for his role as Inspector Goole in An Inspector Calls at the National Theatre (an Olivier Award-nominated performance, which transferred to Broadway in 1994-95). He played the avuncular detective Rough in Gaslight at the Old Vic in 2007 and finally won the coveted Olivier Award in 2016 for his performance as an elderly man with dementia in Florian Zeller's play The Father. 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