A return home on Christmas Eve transports Junior back to a familiar life of old traditions, lots of coquito, and the one that got away.

Nochebuena

The air is thick with tension as a military squad proceeds to the foot of a mountain base, where they're ordered to wait for backup and hold their position. The mountain is shrouded in fog and the men are exhausted. They've been fighting guerrillas on enemy turf for some time, and they're worn down by the stress and anxiety of battle. The men don't want to wait; they want to charge up the hill, fearing that their comrades in the base have been overrun by the guerrillas. The squad's leader tries futilely to keep his men in line while dealing with his insolent second-in-command.

Çorak Arazi

At the top of a solitary stone island, called Morro of Santa Marta, is a lighthouse that with its light sets the times and illuminates the story of our four characters: Angel, the old lighthouse keeper whose days are numbered and has still a promise pending to fulfill; Dolores, the woman who abandoned him twenty years ago vowing never to watch him again, and Genaro and Ophelia, two castaways forced to choose between a dream of love in a distant land and the duty to safeguard the dignity of this lonely place forgotten by the world. Is the story of men who do not want to resign to their duties and women who do not want to quit their dreams.

El Faro

A man in chains, a young man who dreams of being part of something, to become a militant for an armed group who must wield a cruelty in which he may not believe in. The characters, each voluntary or involuntary part of a mechanism that overcomes them, reveal their greatness or misery in the “minimum” tasks that they perform to survive. From that sometimes morbid poetry of the everyday and the irrefutable truth of the details, we see a country whose social body is sick and injured.