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His authoritarian and somewhat regal\nbearing was perfect for the many bishops, cardinals, knights and other\nauthority figures he often played (he portrayed Cardinal Richelieu four\ntimes: in The Three Musketeers (1921), The Three Musketeers (1935), The Iron Mask (1929) and The Man in the Iron Mask (1939)).","jobs":["Actor","Additional Crew"],"imdb_id":"nm0207637","jw_id":134050,"id":"667d7acb73d1e3906f032642"},{"name":"Brandon Hurst","birthday":null,"image":"https://m.media-amazon.com/images/M/MV5BY2IzMDhkYjAtZWNmNC00NTVkLWI0MTgtZmVlOGJiOTVkYTQ5XkEyXkFqcGdeQXVyMTQxMjk0Mg@@._V1_.jpg","remote_url":null,"id":"667cd97573d1e3906f024cc6"},{"name":"Ernest Torrence","image":"https://m.media-amazon.com/images/M/MV5BMjY1MzY1MzUtMjMxNi00YzI1LTk2MzYtMWNkOTE4NDRlY2ZjXkEyXkFqcGdeQXVyMzI5NDcxNzI@._V1_.jpg","bio":"He was the man you loved to hiss. This towering (6' 4"), highly\nimposing character star with cold, hollow, beady eyes and a huge,\nprotruding snout would go on to become one of the silent screen's\nfinest arch villains. Born Ernest Thayson Torrence-Thompson on June 26,\n1878, in Edinburgh, Scotland, he was, unlikely enough, an exceptional\npianist and operatic baritone. A graduate of the Stuttgart\nConservatory, Edinburgh Academy before earning a scholarship at\nLondon's Royal Academy of Music, he toured with the D'Oyly Carte Opera\nCompany in such productions as "The Emerald Isle" (1901) and "The Talk\nof the Town" (1905) before serious vocal problems set in. Both Ernest\nand his actor brother David Torrence came to America directly from Scotland\nprior to WWI. Focusing instead on a purely acting career, both brothers\ndeveloped into seasoned players on the New York stage. Ernest made his\nBroadway bow with "Modest Suzanne" in 1912 and a standout role in "The\nNight Boat" in 1920 brought him to the attention of Hollywood\nfilmmakers.

He earned superb marks playing the despicable adversary Luke Hatburn in\nTol'able David (1921) opposite Richard Barthelmess, and immediately settled into films for the\nrest of his career. Adept at both comedy and drama, Ernest avoided what\ncould have been a damaging stereotype with his sympathetic portrayal of\na grizzled old codger in the classic western The Covered Wagon (1923). He further\nbolstered his celebrity with plum, lip-smacking roles alongside Lon Chaney\nin The Hunchback of Notre Dame (1923) as Clopin, king of the beggars, and Betty Bronson in Peter Pan (1924) as\nthe dastardly Captain Hook. In an offbeat bit of casting he paired up\nwith Clara Bow in Mantrap (1926) as a gentle, bear-like backwoodsman in search\nof a wife, and participated in other silent classics such as The King of Kings (1927)\n(as Peter) and Bill'in Buharlı Gemisi (1928) as Buster Keaton's steamboat captain Dad.

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In her\nprime, Winifred had "distinct Spanish-type" features, black hair and\ndark eyes.","jobs":["Actress"],"imdb_id":"nm0117479","jw_id":584570,"id":"667d7aca73d1e3906f032641"},{"name":"Nigel De Brulier","image":"https://m.media-amazon.com/images/M/MV5BYTkyNGQxYzEtZTE2ZS00MTNiLTk2MTMtZjI2ZTUwYzk4ODliXkEyXkFqcGdeQXVyMzI5NDcxNzI@._V1_.jpg","bio":"British-born Nigel De Brulier's long career began in silent films, but\nunlike many performers of that era, he managed to successfully\ntransition into sound films. His authoritarian and somewhat regal\nbearing was perfect for the many bishops, cardinals, knights and other\nauthority figures he often played (he portrayed Cardinal Richelieu four\ntimes: in The Three Musketeers (1921), The Three Musketeers (1935), The Iron Mask (1929) and The Man in the Iron Mask (1939)).","jobs":["Actor","Additional Crew"],"imdb_id":"nm0207637","jw_id":134050,"id":"667d7acb73d1e3906f032642"},{"name":"Brandon Hurst","birthday":null,"image":"https://m.media-amazon.com/images/M/MV5BY2IzMDhkYjAtZWNmNC00NTVkLWI0MTgtZmVlOGJiOTVkYTQ5XkEyXkFqcGdeQXVyMTQxMjk0Mg@@._V1_.jpg","remote_url":null,"id":"667cd97573d1e3906f024cc6"},{"name":"Ernest Torrence","image":"https://m.media-amazon.com/images/M/MV5BMjY1MzY1MzUtMjMxNi00YzI1LTk2MzYtMWNkOTE4NDRlY2ZjXkEyXkFqcGdeQXVyMzI5NDcxNzI@._V1_.jpg","bio":"He was the man you loved to hiss. This towering (6' 4"), highly\nimposing character star with cold, hollow, beady eyes and a huge,\nprotruding snout would go on to become one of the silent screen's\nfinest arch villains. Born Ernest Thayson Torrence-Thompson on June 26,\n1878, in Edinburgh, Scotland, he was, unlikely enough, an exceptional\npianist and operatic baritone. A graduate of the Stuttgart\nConservatory, Edinburgh Academy before earning a scholarship at\nLondon's Royal Academy of Music, he toured with the D'Oyly Carte Opera\nCompany in such productions as "The Emerald Isle" (1901) and "The Talk\nof the Town" (1905) before serious vocal problems set in. Both Ernest\nand his actor brother David Torrence came to America directly from Scotland\nprior to WWI. Focusing instead on a purely acting career, both brothers\ndeveloped into seasoned players on the New York stage. Ernest made his\nBroadway bow with "Modest Suzanne" in 1912 and a standout role in "The\nNight Boat" in 1920 brought him to the attention of Hollywood\nfilmmakers.

He earned superb marks playing the despicable adversary Luke Hatburn in\nTol'able David (1921) opposite Richard Barthelmess, and immediately settled into films for the\nrest of his career. Adept at both comedy and drama, Ernest avoided what\ncould have been a damaging stereotype with his sympathetic portrayal of\na grizzled old codger in the classic western The Covered Wagon (1923). He further\nbolstered his celebrity with plum, lip-smacking roles alongside Lon Chaney\nin The Hunchback of Notre Dame (1923) as Clopin, king of the beggars, and Betty Bronson in Peter Pan (1924) as\nthe dastardly Captain Hook. In an offbeat bit of casting he paired up\nwith Clara Bow in Mantrap (1926) as a gentle, bear-like backwoodsman in search\nof a wife, and participated in other silent classics such as The King of Kings (1927)\n(as Peter) and Bill'in Buharlı Gemisi (1928) as Buster Keaton's steamboat captain Dad.

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