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Following WWII war service with the Army infantry in which he was\nawarded the Purple Heart after being wounded, a director and friend of\nthe family, Garson Kanin, gave the aspiring\nactor his first professional role in his Broadway production of "The\nRugged Path" (1945) which starred\nSpencer Tracy. With his dark,\nfriendly, clean-scrubbed good looks and a deep, rich voice that could\ncut butter, Zimbalist found little trouble finding work. He continued\nwith the American Repertory Theatre performing in such classics as\n"Henry VIII" and "Androcles and the Lion" while appearing opposite the\nlegendary Eva Le Gallienne in "Hedda\nGabler".

Zimbalist then tried his hand as a stage producer, successfully\nbringing opera to Broadway audiences for the first time with memorable\npresentations of "The Medium" and "The Telephone". As producer of\nGian Carlo Menotti's "The Consul", he\nwon the New York Drama Critic's Award and the Pulitzer Prize for best\nmusical in 1950. An auspicious film debut opposite\nEdward G. Robinson in\nHouse of Strangers (1949)\nbrought little career momentum due to the untimely death of his wife\nEmily (a onetime actress who appeared with him in "Hedda Gabler" and\nbore him two children, Nancy and Efrem III) to cancer in 1950. Making\nan abrupt decision to abandon acting, he served as assistant\ndirector/researcher at the Curtis School of Music for his father and\nburied himself with studies and music composition.

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A perfect gentleman on and off camera, Zimbalist's severest critics\ntend to deem his performances bland and undernourished. Managing to\noverride such criticisms, he maintained a sturdy career for nearly six\ndecades. In 1991, he made fun of his all-serious reputation and pulled\noff a Leslie Nielsen-like role in the\ncomedy parody Hot Shots! (1991). In\naddition to theater projects over the years, he has made fine use of\nhis mellifluous baritone performing narrations and cartoon voiceovers,\nincluding that of Alfred the butler on a "Batman" animated series.

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Following WWII war service with the Army infantry in which he was\nawarded the Purple Heart after being wounded, a director and friend of\nthe family, Garson Kanin, gave the aspiring\nactor his first professional role in his Broadway production of "The\nRugged Path" (1945) which starred\nSpencer Tracy. With his dark,\nfriendly, clean-scrubbed good looks and a deep, rich voice that could\ncut butter, Zimbalist found little trouble finding work. He continued\nwith the American Repertory Theatre performing in such classics as\n"Henry VIII" and "Androcles and the Lion" while appearing opposite the\nlegendary Eva Le Gallienne in "Hedda\nGabler".

Zimbalist then tried his hand as a stage producer, successfully\nbringing opera to Broadway audiences for the first time with memorable\npresentations of "The Medium" and "The Telephone". As producer of\nGian Carlo Menotti's "The Consul", he\nwon the New York Drama Critic's Award and the Pulitzer Prize for best\nmusical in 1950. An auspicious film debut opposite\nEdward G. Robinson in\nHouse of Strangers (1949)\nbrought little career momentum due to the untimely death of his wife\nEmily (a onetime actress who appeared with him in "Hedda Gabler" and\nbore him two children, Nancy and Efrem III) to cancer in 1950. Making\nan abrupt decision to abandon acting, he served as assistant\ndirector/researcher at the Curtis School of Music for his father and\nburied himself with studies and music composition.

In 1954, Efrem returned to acting and copped a daytime television soap\nlead\n(Concerning Miss Marlowe (1954)).\nIt was famed director Joshua Logan\nwho proved instrumental in helping Zimbalist secure a Warner Bros.\ncontract. Despite forthright second leads in decent films such as\nMelekler Alayı (1957) with\nClark Gable and\nYvonne De Carlo;\nToo Much, Too Soon (1958)\nstarring Dorothy Malone and\nErrol Flynn;\nYuvaya Dönüş (1958) with\nJean Simmons and\nRhonda Fleming;\nThe Crowded Sky (1960) with\nDana Andrews,\nRhonda Fleming,\nTroy Donahue and\nAnne Francis;\nA Fever in the Blood (1961)\nopposite Angie Dickinson and (his best)\nKaranlığa kadar bekle (1967) with\nAudrey Hepburn, it was television\nthat made the better use of his refined, unshowy acting style. His\nroles as smooth private investigator Stu Bailey on\n77 Sunset Strip (1958) and\ndogged inspector Lewis Erskine on\nThe F.B.I. (1965) would be his\nultimate claims to fame.

A perfect gentleman on and off camera, Zimbalist's severest critics\ntend to deem his performances bland and undernourished. Managing to\noverride such criticisms, he maintained a sturdy career for nearly six\ndecades. In 1991, he made fun of his all-serious reputation and pulled\noff a Leslie Nielsen-like role in the\ncomedy parody Hot Shots! (1991). In\naddition to theater projects over the years, he has made fine use of\nhis mellifluous baritone performing narrations and cartoon voiceovers,\nincluding that of Alfred the butler on a "Batman" animated series.

In 2003, he completed his memoirs, entitled "My Dinner of Herbs". The\nfather of three, grandfather of four and great-grandfather of three, he\nsettled in Santa Barbara and later in Solvang, California with longtime\nsecond wife Stephanie until her death in 2007 of cancer. Their\ndaughter, also named Stephanie\n(Stephanie Zimbalist), is the\nwell-known actress who appeared with\nPierce Brosnan in the\nRemington Steele (1982)\ntelevision series, in which Zimbalist had a recurring role. He and his\ndaughter also appeared on stage together in his later years, their\nfirst being "The Night of the Iguana". His eldest daughter Nancy died\nin 2012.

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