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Freelancing a couple of years later, he played the lead in\nThe Godless Girl (1928) and\nThe Sophomore (1929) and received a\ncontract at Pathe Studios, but he wasn't really leading-man material\nwhat with his rubbery face and short stature. Nevertheless, his high\nenergy and sharp comedy instincts earned him many support roles in such\nfilms as Big Money (1930),\nGirl Crazy (1932),\nDenizde isyan (1935),\nLincoln: Vatan Kuran Adam (1939) and\nGazap üzümleri (1940),\nto cite some of his more popular films.

Discouraged with playing simple roles such as bellhops, soda jerks, et\nal., he continued on in "B" pictures until\nSensation Hunters (1945), when\nhis film career finally fell away. He owned and operated a bowling\nalley for a time but eventually returned to the film industry, with\nmiddling results and infrequent appearances, among them\nEğlenceler Beldesi (1954). Light-hearted fluff\nalso came his way in the next decade with\nThe Ghost and Mr. Chicken (1966),\nAngel in My Pocket (1969) and\nHow to Frame a Figg (1971),\nbut his contributions were relatively minor. His career experienced a\nminor resurgence during the 1960s and 1970s on TV when he guested on\nsuch series as Mannix (1967),\nSevgi Bağları (1974),\nPolice Story (1973), and\nBaretta (1975). A close friendship\nwith actor Michael Landon led to\nwork for Eddie in several of Landon's TV vehicles, including\nKüçük ev (1974)\nand Father Murphy (1981) and\n"Highway to Heaven" (1984)_.

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Freelancing a couple of years later, he played the lead in\nThe Godless Girl (1928) and\nThe Sophomore (1929) and received a\ncontract at Pathe Studios, but he wasn't really leading-man material\nwhat with his rubbery face and short stature. Nevertheless, his high\nenergy and sharp comedy instincts earned him many support roles in such\nfilms as Big Money (1930),\nGirl Crazy (1932),\nDenizde isyan (1935),\nLincoln: Vatan Kuran Adam (1939) and\nGazap üzümleri (1940),\nto cite some of his more popular films.

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