Vivien Oakland
Vivien Oakland
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This vivacious, platinum-blonde leading lady of silent screen comedy
was a former Ziegfeld Girl (under her birth name 'Anderson'). The
daughter of Norwegian immigrants, she appeared in vaudeville from early
childhood and began in films in 1915. Two years later she made her
debut on Broadway. From the early
1920's, Vivien became a regular feature in two-reelers for Hal Roach,
her forte being the
'slow burn'. She invariably played a put-upon society matron, or the long-suffering wife of either Charley Chase
(Mighty Like a Moose (1926)),
Oliver Hardy
(Along Came Auntie (1926)and
That's My Wife (1929)),
Stan Laurel
(Love 'Em and Weep (1927)),
Edgar Kennedy
(Dumb's the Word (1937)) or
Leon Errol (in a series of shorts at RKO,
beginning with
Wrong Romance (1937)).
Vivien successfully made the transition to sound and was featured to great effect with Laurel & Hardy in We Faw Down (1928), Scram! (1932) (an infectious drunken scene), and Way Out West (1937). Her film roles were usually small, though she made the most of being one of the Florodora Sextette in the musical period romance The Florodora Girl (1930). Vivien retired in 1951, settling in Sherman Oaks, California. In the final year of her life, she worked at Neff's Toy Store as a saleslady.
Vivien successfully made the transition to sound and was featured to great effect with Laurel & Hardy in We Faw Down (1928), Scram! (1932) (an infectious drunken scene), and Way Out West (1937). Her film roles were usually small, though she made the most of being one of the Florodora Sextette in the musical period romance The Florodora Girl (1930). Vivien retired in 1951, settling in Sherman Oaks, California. In the final year of her life, she worked at Neff's Toy Store as a saleslady.
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