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While performing on the stage, he was spotted by\nCharles Chaplin, who then and there planned a film in which he\nand Jackie would star. To test Jackie, Chaplin first gave him a small\npart in\nBir Günün Beyliği (1919), which\nproved that he had a screen presence. The movie that Chaplin planned\nthat day was Yumurcak (1921), where the\nTramp would raise Jackie and then lose him. The movie was very\nsuccessful and Jackie would play a child in a number of movies and tour\nwith his father on the stage.

By 1923, when he made Daddy (1923), he was one of the highest-\npaid stars in Hollywood. He would leave First National for MGM where\nthey put him into\nLong Live the King (1923). By 1927, at age 13, Coogan had grown up on the\nscreen and his career was going through a downturn. His popular film career\nwould end with the classic tales of\nTom Sawyer (1930) and\nHuckleberry Finn (1931).

In 1935, his father died and his mother married Arthur Bernstein, who\nwas his business manager. When he wanted the money that he made as a\nchild star in the 1920s, his mother and stepfather refused his request and\nJackie filed suit for the approximately $4 million that he had made. Under\nCalifornia law at the time, he had no rights to the money he made as a\nchild, and he was awarded only $126,000 in 1939. Because of the public\nuproar, the California Legislature passed the Child Actors Bill, also known\nas the Coogan Act, which would set up a trust fund for any child actor and\nprotect his earnings.

In 1937, Jackie married Betty Grable; the marriage lasted 3 years. During\nWorld War II, he served in the Army; he returned to Hollywood after the war.\nUnable to restart his career, he worked in B-movies, mostly in bit parts and\nusually playing the heavy. In the 1950s he started to appear on television, and\nhe acted in as many shows as he could. By the 1960s he would be in two\ncompletely different television comedy series.. The first one was\nMcKeever and the Colonel (1962),\nwhere he played Sgt. Barnes in a military school from 1962 to 1963. The\nsecond series was the classic\nThe Addams Family (1964),\nwhere he played Uncle Fester from 1964 to 1966. After that, he continued to\nmake appearances on television shows and a handful of movies. He died of a\nheart attack in 1984.","jobs":["Actor","Additional Crew","Director"],"imdb_id":"nm0001067","jw_id":24701,"id":"667dd8d873d1e3906f038157"},{"name":"Carl Miller","image":"https://m.media-amazon.com/images/M/MV5BN2ZlYzNlZjgtNzU5Ny00ZTNiLThmYzctYjJiMjg2YTYyY2RlXkEyXkFqcGdeQXVyNDIyMTAyNg@@._V1_.jpg","bio":"Believing that motion pictures significantly influence positive change, Carl Miller obtained a BS in film production from SDSU.

He returned to the San Francisco Bay Area with a degree in hand to work for Industrial Light & Magic. There, he "cut his teeth" in the industry for 20 years on more than 30 major motion pictures and quickly grew into a position as a Visual Effects Director of Photography.

Concurrently, he independently created a 90-minute video about SCUBA diving in Monterey.

Carl was the Creative & Director for the half-million dollar DLP Cinema trailer, "Birth of an Image," which played for nearly a decade in theaters worldwide.

Carl began his independent dramatic filmmaking career with the motion picture Retaliation, which featured at prestigious film festivals.

Carl was the Cinematographer who re-shot George Lucas' film Red Tails and captured Kat Alioshin's film Animation Outlaws.

Now local to Los Angeles, Carl continues to innovate the potential of streamers, films, and commercials.","jobs":["Cinematographer","Camera and Electrical Department","Director"],"imdb_id":"nm0588035","jw_id":24705,"id":"667dd8d973d1e3906f038158"},{"name":"Edna Purviance","image":"https://m.media-amazon.com/images/M/MV5BMTgzMTI2MTcwNV5BMl5BanBnXkFtZTcwMjY4NjYxOA@@._V1_.jpg","bio":"Edna Purviance began working as a stenographer in San Francisco.\nCharles Chaplin invited her to join him\nat Essanay Studio in 1915, the year of her film debut in Chaplin's His\nNight Out. Over the next seven years she appeared as his leading lady\nin over 20 Chaplin films made by Essanay, Mutual, and First National,\nincluding the classics\nŞarlo Serseri (1915),\nŞarlo Göçmen (1917),\nŞarlo Polis (1917),\nYumurcak (1921), and\nŞarlo İşsiz (1921). 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Chaplin","birthday":null,"image":null,"remote_url":null,"id":"667d1b6373d1e3906f02addc"},{"name":"Jackie Coogan","image":"https://m.media-amazon.com/images/M/MV5BMzg1MjkwYTAtMjk1NS00NjNkLWEzNTUtOGIwNWI0ZjQzY2NmXkEyXkFqcGdeQXVyMDc2NTEzMw@@._V1_.jpg","bio":"Jackie Coogan was born into a family of vaudevillians; his father was\na dancer and his mother had been a child star. On the stage by age 4,\nJackie was touring at age 5 with his family in Los Angeles, California.

While performing on the stage, he was spotted by\nCharles Chaplin, who then and there planned a film in which he\nand Jackie would star. To test Jackie, Chaplin first gave him a small\npart in\nBir Günün Beyliği (1919), which\nproved that he had a screen presence. The movie that Chaplin planned\nthat day was Yumurcak (1921), where the\nTramp would raise Jackie and then lose him. The movie was very\nsuccessful and Jackie would play a child in a number of movies and tour\nwith his father on the stage.

By 1923, when he made Daddy (1923), he was one of the highest-\npaid stars in Hollywood. He would leave First National for MGM where\nthey put him into\nLong Live the King (1923). By 1927, at age 13, Coogan had grown up on the\nscreen and his career was going through a downturn. His popular film career\nwould end with the classic tales of\nTom Sawyer (1930) and\nHuckleberry Finn (1931).

In 1935, his father died and his mother married Arthur Bernstein, who\nwas his business manager. When he wanted the money that he made as a\nchild star in the 1920s, his mother and stepfather refused his request and\nJackie filed suit for the approximately $4 million that he had made. Under\nCalifornia law at the time, he had no rights to the money he made as a\nchild, and he was awarded only $126,000 in 1939. Because of the public\nuproar, the California Legislature passed the Child Actors Bill, also known\nas the Coogan Act, which would set up a trust fund for any child actor and\nprotect his earnings.

In 1937, Jackie married Betty Grable; the marriage lasted 3 years. During\nWorld War II, he served in the Army; he returned to Hollywood after the war.\nUnable to restart his career, he worked in B-movies, mostly in bit parts and\nusually playing the heavy. In the 1950s he started to appear on television, and\nhe acted in as many shows as he could. By the 1960s he would be in two\ncompletely different television comedy series.. The first one was\nMcKeever and the Colonel (1962),\nwhere he played Sgt. Barnes in a military school from 1962 to 1963. The\nsecond series was the classic\nThe Addams Family (1964),\nwhere he played Uncle Fester from 1964 to 1966. After that, he continued to\nmake appearances on television shows and a handful of movies. He died of a\nheart attack in 1984.","jobs":["Actor","Additional Crew","Director"],"imdb_id":"nm0001067","jw_id":24701,"id":"667dd8d873d1e3906f038157"},{"name":"Carl Miller","image":"https://m.media-amazon.com/images/M/MV5BN2ZlYzNlZjgtNzU5Ny00ZTNiLThmYzctYjJiMjg2YTYyY2RlXkEyXkFqcGdeQXVyNDIyMTAyNg@@._V1_.jpg","bio":"Believing that motion pictures significantly influence positive change, Carl Miller obtained a BS in film production from SDSU.

He returned to the San Francisco Bay Area with a degree in hand to work for Industrial Light & Magic. There, he "cut his teeth" in the industry for 20 years on more than 30 major motion pictures and quickly grew into a position as a Visual Effects Director of Photography.

Concurrently, he independently created a 90-minute video about SCUBA diving in Monterey.

Carl was the Creative & Director for the half-million dollar DLP Cinema trailer, "Birth of an Image," which played for nearly a decade in theaters worldwide.

Carl began his independent dramatic filmmaking career with the motion picture Retaliation, which featured at prestigious film festivals.

Carl was the Cinematographer who re-shot George Lucas' film Red Tails and captured Kat Alioshin's film Animation Outlaws.

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