Montreal'de yorumlayıcı bir Tutku Oyunu sahneleyen bir grup oyuncu, Katolik kilisesinin artan muhalefetine karşı prodüksiyon şekillendikçe karakterleri ve özel hayatları arasında bir iç içe geçme yaşamaya başlar.

Montreal'li İsa

A detail of random people are told that they are a part of a live testing for data on their reactions in the woods without any technology at their disposal . . . when in reality they are the stars of a bored and twisted family who have gathered together for the holidays to watch them all die.

Facade

Employing footage from an obscure 8mm film trailer for Battle for the Planet of the Apes to highlight the unstable relationship between the real, historical past and the distant, imaginary future, this project revolves around a central question: Is alien-ness indeed the metaphor for the 20th Century as power relationships have been embodied within our subconscious? Is there a relationship between these forgotten formats and the discontinued political ideologies that they depict?  Transferred from Super-8 and then processed using a combination of high-end digital and vintage analog processing techniques, Apeshit emphasizes the contradictory references found in both the original text and its adaptation. Serving up Battle for the Planet of the Apes as proof, Apeshit puts forth tolerance as an outmoded technology.