In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.

Candango: Memoirs from a Festival

Kiko Goifman always knew he was adopted. At age 33 he finally decides to undertake a journey to find his biological mother, and film it as a documentary. He starts off with the few facts he knows, aided by two private detectives, his adoptive mother, and his wife. He also writes an online diary detailing his activities and findings, which gives him additional tips. The title 33 not only refers to Kiko's age, but also to the famous film noir ".33", the age of Christ - "like Kiko - a Jew" , and other coincidences involving the number 33.

This video, directed at children, merges clay animation and real images to show the various dimensions involving urban waste: trash and sweeping the streets, and household waste, composting and recycling of materials. The gang formed by Vassourinha, Dr. Basket and Mr. Truck, stimulate correct habits for children and the responsibility of these issues.

A Turma da Limpeza

ACTS OF MEN should have been a film about the daily lives of massacre survivors in Brazil. Everything was planned for us to start shooting in April 2005. But reality did not wait. On the last day of March, exactly one month before shooting was scheduled to begin, things changed: A terrible massacre took place in Baixada Fluminense, near the city of Rio de Janeiro. Twenty-nine people were killed by a death squad, the largest massacre in the history of Rio de Janeiro. The killers are extermination groups made up of policemen who work in the area, and who are involved in extortions, kidnapping, drug dealing and homicide. This has been going on since the 1950s, but it has never been as extreme as it is today

Acts of Men

The making of an unfinished film about phobias. Says the director. Behind the screens, he discusses at length (with e.g. Coffin Joe) about the aesthetic boundaries of the project: volunteers under controlled circumstances become immersed in their phobias in order to film the fear on their faces.

FilmeFobia

Brezilya’nın kuzeydoğusundaki bakir alanlarda geçen bir yol filmi. Zorlu, ama harika yol arkadaşımız ise önyargılı ve köktendinci geçmişine dönerek kendini bulmaya çalışan, dönüşüm  sancıları içindeki bir düşünür olan Silvyo Luccio. (“Bir kadın olarak doğrum, lezbiyen oldum, şimdi de bir erkeğim”)