Alexandra Heller-Nicholas is an award-winning film critic and author from Melbourne, Australia. She has appeared in documentary films including Kier-La Janisse's groundbreaking Woodlands Dark and Days Bewitched: A History of Folk Horror (2020), and in 2024 she was interviewed in Alexandre O. Philippe's film Chain Reactions, celebrating the 50th anniversary of The Texas Chain Saw Massacre (1974) alongside Patton Oswalt, Takashi Miike, Stephen King and Karyn Kusama. Alexandra is the author and co-editor of fourteen books on cult, exploitation and horror cinema with an emphasis on gender politics, including two editions of her book Rape-Revenge Films: A Critical Study (2011/2021), Found Footage Horror Films: Fear and the Appearance of Reality (2014), The Giallo Canvas: Art, Excess and Horror Cinema (2021), as well as Masks in Horror Cinema: Eyes Without Faces (2019) and 1000 Women in Horror, 1895-2018 (2020), the latter two of which were finalists in the Bram Stoker Awards® Superior Achievement in Non-Fiction categories in two consecutive years. Alexandra has also written books on Dario Argento's Suspiria, Abel Ferrara's MS. 45, and Robert Harmon's The Hitcher, as well as co-editing books on Peter Strickland, Elaine May, the collaborations of Hélène Cattet and Bruno Forzani, and the large format book Wonderland on Lewis Carroll's Alice in film, which coincided with the Australian Centre for the Moving Image exhibition of the same name. Alexandra is a columnist at Fangoria magazine, an Adjunct Professor at Deakin University, on the advisory board for Miskatonic Institute for Horror Studies, and a member of the Alliance of Women Film Journalists.