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In 1901, she was one of my paternal grandmother's piano\nstudents. According to The Motion Picture Studio Directories for\n1919-1921, after public schools, Eleanor studied at the National School\nof Oratory in Philadelphia. According to the Encyclopedic Dictionary of\nWomen in Early American Films, she joined a touring stock company in\n1909 when she would have been about seventeen. The New York Dramatic\nMirror identifies this as the Philadelphia Orpheum Stock Company, where\nshe remained for a year and a half. The Encyclopedic Dictionary has her\nBroadway debut taking place in 1911 in The Five Frankfurters at the\nThirty Ninth Street Theater. The April 1, 1916 Dramatic Mirror claims\nthat her passion for the stage was opposed by her parents, but this\nwriter finds nothing on which to base the assertion. A March, 1911\narticle in the Schenectady Gazette mentioned two plays she had been and\nwas about to be in, they being Beverly of Graustark by George Barr\nMcCutcheon and The Prince Chap. Her first film appearance, in 1913, was\nin the Pathe Pictures short The Finger of Fate. She was with New\nJersey-based Pathe until early 1915 when she moved to Vitagraph. The\nGazette article indicated she was "perhaps the youngest leading woman\nin America." According to Moving Picture World, while at Pathe, Eleanor\nwas "one of the highest salaried stars in the moving picture business."\nIn early August, 1913, she was injured while filming the movie Depth of\nHate. The scene involved an auto accident, but the car failed to stop,\nand its front wheel when ran over her back, though it appears she was\nnot severely nor permanently injured. While with Pathe Pictures,\nEleanor engaged in what today would be called social welfare work. 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It would appear from this that she\nmade fifteen pictures with the former company and ten with the latter.\nWhile with Pathe, she appeared in The Stain with the famous vamp Theda\nBara, this being Bara's first film, the now-famous sex symbol being\nsimply an extra with lower billing than Eleanor. Perhaps her most\nfamous venture while at Pathe was the serial The Perils of Pauline with\nPearl White. Five of her Pathe films included Irving Cummings who went\non to have a very impressive career as a director from the early 1920s\nto the mid 1940s. Eleanor's first film with Vitagraph was West Wind in\nSeptember, 1915 which was filmed in Texas. Eleanor appeared on the\ncover of the Dramatic Mirror at least a couple of times, and when she\ndid so in June, 1915, the magazine commented there were "few leading\nwomen who surpass (her) in charm or ability." In 1916, she left the\nmovies for the stage once again, playing Otis Skinner's leading lady in\nBooth Tarkington's Mister Antonio. Though she appeared in one last\nfilm, A Pasteboard Crown in 1922, the last days of her career were\nspent on the stage both in the United States and Europe. Among other\nplays throughout the 1920s, Eleanor appeared in Six Characters in\nSearch of an Author, the London production of George M. Cohan's So This\nIs London and Back to Methuselah by George Bernard Shaw. She last\nappeared in Somerset Maugham's The Breadwinner in 1931, the same year\nin which she married Dorsey Richardson, banker and later economic\nadvisor to both Presidents Kennedy and Johnson. Her last days were\nspent in Republican political work and operating an interior decorating\nbusiness in Princeton, New Jersey. Long a hobbyist in this line, in\n1926, she decorated the Queen's suite at New York's Ambassador Hotel in\npreparation for a visit by Queen Marie of Rumania. She died in\nPrinceton on October 7, 1980.

Sources:

United States Federal Census Records, 1900 Biographical and\nGenealogical Sketches from Central Pennsylvania, Frederick A.\nGodcharles, Clearfield Publishing Company, 1999 1901 Diary, Annie\nBenedict Cassada Kelly The Motion Picture Studio Directories for\n1919-1921 Encyclopedic Dictionary of Women in Early American Films,\n1895-1930, Denise Lowe The New York Dramatic Mirror, various articles\nSchenectady Gazette, March 9, 1911 Syracuse Herald, July 28, 1913\nBrooklyn Daily Eagle, August 5, 1913 New York Glippee(?), December 26,\n1914 Billboard, January 2, 1915 Daily Star, October 9, 1926 Brooklyn\nStandard Union, April 4, 1931 Brooklyn Daily Eagle, April 4, 1931\nMoving Picture World, 1907-1927, Volume 19, January-March, 1914\nInternet Movie Data Base","jobs":["Actress"],"imdb_id":"nm0940450","jw_id":156438,"id":"66cb9c2f5d5a9135b009bd02"},{"name":"Jack Standing","image":"https://m.media-amazon.com/images/M/MV5BZTI2Njk2MGYtZTQ0OS00ZGFhLTlkYzYtMGFhNzEwNGZjMTVmXkEyXkFqcGdeQXVyMDUyOTUyNQ@@._V1_.jpg","bio":"Jack Standing was born on 10 February 1886 in London, England, UK. 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Dokuz bölüm (1916'daki yoğunlaştırılmış yeniden yayından) günümüze ulaşmıştır.","remote_links":[{"title":"imdb","url":"https://www.imdb.com/title/tt0004465"}],"trailers":{"yt_id":null,"omz_id":null,"imdb_id":"tt0004465"},"details":{"duration_time":{"title":"Süresi","value":410},"genres":{"title":"Türler","value":[{"title":"Aksiyon","id":"61069efd48be0608f4766f5a"},{"title":"Dram","id":"61069efb48be0608f4766f50"}]},"warnings":{"title":"Uyarılar","value":[]},"original_title":{"title":"Orijinal Adı","value":"The Perils of Pauline"}},"jw_order":0,"jw_id":"tm162858","top_provider":null,"topten":0,"updated_at":"2025-12-06 12:00:02","jw_update":1746839968,"translate":true,"created_at":"2024-05-06 11:52:58","was_added_to_list":false,"display_rating":{"count":1091,"value":6.3}}],"events_contents":[]}}},"result":{"error_code":0,"data":{"details":{"_id":"66cb9c305d5a9135b009bd03","name":"Jack Standing","image":"https://m.media-amazon.com/images/M/MV5BZTI2Njk2MGYtZTQ0OS00ZGFhLTlkYzYtMGFhNzEwNGZjMTVmXkEyXkFqcGdeQXVyMDUyOTUyNQ@@._V1_.jpg","bio":"Jack Standing was born on 10 February 1886 in London, England, UK. 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In 1901, she was one of my paternal grandmother's piano\nstudents. According to The Motion Picture Studio Directories for\n1919-1921, after public schools, Eleanor studied at the National School\nof Oratory in Philadelphia. According to the Encyclopedic Dictionary of\nWomen in Early American Films, she joined a touring stock company in\n1909 when she would have been about seventeen. The New York Dramatic\nMirror identifies this as the Philadelphia Orpheum Stock Company, where\nshe remained for a year and a half. The Encyclopedic Dictionary has her\nBroadway debut taking place in 1911 in The Five Frankfurters at the\nThirty Ninth Street Theater. The April 1, 1916 Dramatic Mirror claims\nthat her passion for the stage was opposed by her parents, but this\nwriter finds nothing on which to base the assertion. A March, 1911\narticle in the Schenectady Gazette mentioned two plays she had been and\nwas about to be in, they being Beverly of Graustark by George Barr\nMcCutcheon and The Prince Chap. Her first film appearance, in 1913, was\nin the Pathe Pictures short The Finger of Fate. She was with New\nJersey-based Pathe until early 1915 when she moved to Vitagraph. The\nGazette article indicated she was "perhaps the youngest leading woman\nin America." According to Moving Picture World, while at Pathe, Eleanor\nwas "one of the highest salaried stars in the moving picture business."\nIn early August, 1913, she was injured while filming the movie Depth of\nHate. The scene involved an auto accident, but the car failed to stop,\nand its front wheel when ran over her back, though it appears she was\nnot severely nor permanently injured. While with Pathe Pictures,\nEleanor engaged in what today would be called social welfare work. In\nNovember, 1914, she formed a "club" of young actresses in need of work\nduring a difficult economic time, this effort being successful in\nfinding jobs for some of the girls. Around the same time and shortly\nafter World War I began in Europe, she had planned to suspend her\ncareer for a short time to go to France to be involved with the Red\nCross, but an her mother's illness at least postponed then sailing.\n"I'm going to get that vacation," she remarked, "if I have to spend it\nin the picture theater on the corner looking at war pictorials while I\nknit socks for the Belgians." However, it appears she was involved in\nthe Red Cross to some degree. As alluded to above, Eleanor left Pathe\nPictures for Vitagraph in late 1914. It would appear from this that she\nmade fifteen pictures with the former company and ten with the latter.\nWhile with Pathe, she appeared in The Stain with the famous vamp Theda\nBara, this being Bara's first film, the now-famous sex symbol being\nsimply an extra with lower billing than Eleanor. Perhaps her most\nfamous venture while at Pathe was the serial The Perils of Pauline with\nPearl White. Five of her Pathe films included Irving Cummings who went\non to have a very impressive career as a director from the early 1920s\nto the mid 1940s. Eleanor's first film with Vitagraph was West Wind in\nSeptember, 1915 which was filmed in Texas. Eleanor appeared on the\ncover of the Dramatic Mirror at least a couple of times, and when she\ndid so in June, 1915, the magazine commented there were "few leading\nwomen who surpass (her) in charm or ability." In 1916, she left the\nmovies for the stage once again, playing Otis Skinner's leading lady in\nBooth Tarkington's Mister Antonio. Though she appeared in one last\nfilm, A Pasteboard Crown in 1922, the last days of her career were\nspent on the stage both in the United States and Europe. Among other\nplays throughout the 1920s, Eleanor appeared in Six Characters in\nSearch of an Author, the London production of George M. Cohan's So This\nIs London and Back to Methuselah by George Bernard Shaw. She last\nappeared in Somerset Maugham's The Breadwinner in 1931, the same year\nin which she married Dorsey Richardson, banker and later economic\nadvisor to both Presidents Kennedy and Johnson. Her last days were\nspent in Republican political work and operating an interior decorating\nbusiness in Princeton, New Jersey. Long a hobbyist in this line, in\n1926, she decorated the Queen's suite at New York's Ambassador Hotel in\npreparation for a visit by Queen Marie of Rumania. She died in\nPrinceton on October 7, 1980.

Sources:

United States Federal Census Records, 1900 Biographical and\nGenealogical Sketches from Central Pennsylvania, Frederick A.\nGodcharles, Clearfield Publishing Company, 1999 1901 Diary, Annie\nBenedict Cassada Kelly The Motion Picture Studio Directories for\n1919-1921 Encyclopedic Dictionary of Women in Early American Films,\n1895-1930, Denise Lowe The New York Dramatic Mirror, various articles\nSchenectady Gazette, March 9, 1911 Syracuse Herald, July 28, 1913\nBrooklyn Daily Eagle, August 5, 1913 New York Glippee(?), December 26,\n1914 Billboard, January 2, 1915 Daily Star, October 9, 1926 Brooklyn\nStandard Union, April 4, 1931 Brooklyn Daily Eagle, April 4, 1931\nMoving Picture World, 1907-1927, Volume 19, January-March, 1914\nInternet Movie Data Base","jobs":["Actress"],"imdb_id":"nm0940450","jw_id":156438,"id":"66cb9c2f5d5a9135b009bd02"},{"name":"Jack Standing","image":"https://m.media-amazon.com/images/M/MV5BZTI2Njk2MGYtZTQ0OS00ZGFhLTlkYzYtMGFhNzEwNGZjMTVmXkEyXkFqcGdeQXVyMDUyOTUyNQ@@._V1_.jpg","bio":"Jack Standing was born on 10 February 1886 in London, England, UK. He was an actor, known for The Evangelist (1916), A Father's Love (1913) and The Perils of Pauline (1914). He was married to Patricia Dorothy Harcourt and Catherine Doucet. He died on 26 October 1917 in Los Angeles, California, USA.","jobs":["Actor"],"imdb_id":"nm0822060","jw_id":587035,"id":"66cb9c305d5a9135b009bd03"},{"name":"Bruce Clifford","birthday":null,"image":"https://m.media-amazon.com/images/M/MV5BNTFmZWQ4NTctM2Q3Yy00YjMzLTlmYWMtODZhMjY5ZGI3M2ExXkEyXkFqcGdeQXVyMjQwMDg0Ng@@._V1_.jpg","remote_url":null,"id":"667efc2773d1e3906f048e3e"},{"name":"Chief Thunderbird","birthday":null,"image":"https://m.media-amazon.com/images/M/MV5BZTMzNTNkM2MtMTFiNC00YTQ4LWE1MjUtOTZhYmIxOGFkODQ3XkEyXkFqcGdeQXVyMTcyODY2NDQ@._V1_.jpg","remote_url":null,"id":"66c85ca25d5a9135b0080bbe"}],"directors":[{"_id":"66cb9c2d5d5a9135b009bd00","name":"Donald MacKenzie","image":"https://m.media-amazon.com/images/M/MV5BMWFiNzAxN2MtNjY5NC00YmM1LWJmYjEtZjkyNTM1YWYyZjU0XkEyXkFqcGdeQXVyMDUyOTUyNQ@@._V1_.jpg","jobs":["Actor","Director"],"imdb_id":"nm0533289","jw_id":581457,"id":"66cb9c2d5d5a9135b009bd00"},{"_id":"667e4cae73d1e3906f03f3df","name":"Louis J. Gasnier","image":"https://m.media-amazon.com/images/M/MV5BMmQ3Y2Q2ZTAtNTZkNS00OTNiLTk0YWUtZDFlOGVhNWNhODZlXkEyXkFqcGdeQXVyMDUyOTUyNQ@@._V1_.jpg","jobs":["Director","Writer","Producer"],"imdb_id":"nm0309163","jw_id":152780,"id":"667e4cae73d1e3906f03f3df"}],"ageLimit":"","imdb_rating":{"rating_count":1091,"rating_value":6.3},"rating":{"count":1091,"value":6.3},"description":"The Perils of Pauline (Pauline'in Başına Gelenler), Pearl White adlı aktrisin baş karakteri canlandırdığı, haftalık bölümler halinde gösterilen bir sinema dizisidir. Pauline sık sık küçük kızın ünlü bir örneği olarak gösterilse de, izleyiciler onun karakterini klasik 'küçük kız' klişesinden daha becerikli ve daha az çaresiz bulacaklardır. Dokuz bölüm (1916'daki yoğunlaştırılmış yeniden yayından) günümüze ulaşmıştır.","remote_links":[{"title":"imdb","url":"https://www.imdb.com/title/tt0004465"}],"trailers":{"yt_id":null,"omz_id":null,"imdb_id":"tt0004465"},"details":{"duration_time":{"title":"Süresi","value":410},"genres":{"title":"Türler","value":[{"title":"Aksiyon","id":"61069efd48be0608f4766f5a"},{"title":"Dram","id":"61069efb48be0608f4766f50"}]},"warnings":{"title":"Uyarılar","value":[]},"original_title":{"title":"Orijinal Adı","value":"The Perils of Pauline"}},"jw_order":0,"jw_id":"tm162858","top_provider":null,"topten":0,"updated_at":"2025-12-06 12:00:02","jw_update":1746839968,"translate":true,"created_at":"2024-05-06 11:52:58","was_added_to_list":false,"display_rating":{"count":1091,"value":6.3}}],"events_contents":[]}},"error":null,"isExecuting":false,"hasError":false,"wasExecuted":true},"personId":"66cb9c305d5a9135b009bd03"}}