Somewhere along the border with Mexico, two lifelong friends - prospectors - use moth eaten maps and passed down legends in a lifelong search to find a ghost ship rumored to have been buried in the desert sand over millennia as the seafloor dried up. Today, Mexican drug lords operate here, using a fleet of children in ultra light airplanes, flying in a new type of treasure - heroin - modern gold dust. These two friends must decide between pursuing their dreams of treasure, suddenly so close, and what they know is right. To save themselves, or risk their lives to save a young girl captive to the drug lord. GOLD DUST is a wild adventure of treasure and ghosts, mirages and orphans, shattered dreams and lost loves. It blends the stark deadly beauty of the desert with a villain so disarmingly dangerous he becomes terrifyingly elegant. Classical music. Thundering opera. Rattlesnakes and precious gems. Mansions and gold mines. Friendship and despair. Hope. Death. And Love. Treasure beyond imagination always vanishes in the desert wind.

Gold Dust

Two small time lawnmowers try to find treasure so they can purchase better equipment, but will something supernatural intervene?

Joe & Joe

For the first time in 40 years African skies resound to the roar of a flying boat. Alexander Frater boards a wartime Catalina in search of the romance and adventure of Imperial Airways' legendary route from Cairo to the Cape - down the White Nile to the Rift Valley lakes of Kenya and on to the astonishing Ilha de Mocambique - the forgotten jewel of the Indian Ocean.

The Last African Flying Boat

Michael Wood explores village life in 14th century England, a time of plague, war and famine. Through the use of a remarkably complete set of documentary records, he explores one village - that of Codicote in Hertfordshire - looking at its boom times and its poorer times. Wood brings the period to life by focusing in on one family, that of the poor peasant Christina Cok, her father Hugh, her estranged husband William, and her children John and Alice. By looking at the poorest members of Codicote's society, Wood approaches his history from the bottom-up rather than taking the traditional historical approach of top-down, 'kings and barons' story-telling.