A politician (a brilliant and well-liked mayor from his fellow citizens, candidate for the Chamber) clashes with a graduate, disappointed and against the current dancer.

The Dark Dance

Kristo 33

Delirium is the first movie of the "Delirium Cycle". One of the most popular movie by FS. Obsessions, delusions, hate, hopelessness, humiliation and death in an experimental film signed FS. Reviewed in the Italian journal's cult 'Nocturno'. The location (Torre di Cerrano, near Pescara, Italy) is the same of 'Nelle Pieghe Della Carne' (aka 'In the folds of the flesh', 1970) cult movie by Sergio Bergonzelli.

Delirium

"Pianosequenza"is a bet and together a provocation. A feature film turned in digital way that expect no operation of editing, an only long breath that remains attached to the characters without break, it capturing with the agility of the moving camera every minimum jump, every detail, every variation in the expressive band and in the physical action of the actor. "Pianosequenza" wants play with time and take possession of it. The real time, Not the sham time, perceived time , and it's the rarity, in the same way for the actor and for the audience. The theme of "Pianosequenza" born from a reflection on fate and destiny. Bunuel asserted that he was fascinated from as, events very important, , come for a connection of fates. "Pianosequenza" has in the connection his main engine. In fact, the plot expects , ten characters and it describes the connections , leaving that the audience can question himself on a eventual possibility of a meeting, of a exchange of cue, of a small way, or if all of these was really a ineluctable destiny. "Pianosequenza" is a film based on the uncommunicable. Not much are the cues of the characters, , only the thing seems to have the depth thanks at the voices- off and at the monologue to the camera. The real expression is pointed on the character taken in his singleness, it dissolve itself as soon as it meet a different creature. INFO,

Pianosequenza

Narciso met Dorian Gray in a visionary delirium.

Narciso Gray di questa gioventù che non decade

Mondo Delirium is the third movie of the "Delirium" Cycle, where Sciolè makes experimental movies meet with Italian b-movies. The dominating emotion is delirium. The structure of the movie is based on a montage that obsessively uses thousands of breaks and no fading. The rendering is strange, disturbing, festering, visionary. Symbology, ritual and the sublime magnify the ill-fated atmosphere of the movie. The theme of this third work is the wickedness of man, he's useless, cruel for pleasure (not because of a need, as it happens in the animal kingdom). The reference to the Mondo Movie on the title is, in fact, in reverse. According to the reference to a certain Cinema Bis and because of an extreme use of style-form of Sciolè/Teatro Ateo, it is encoded as Sciolèxploitation.