Taking as a starting point an artist's own paintings, long lost, and recasting what a work can be with interventions of digital post-cinematic processes, a minor piece of damage explores the space between the vanished place of referential origin and its re-presentation as a cinematic 'artefact'.

a minor piece of damage

The birth of a new era in the first years of perestroika with its enthusiasm for clairvoyance and the dying practice of shooting on film are both contained within a single minute of screen time, during which a mnemonist ‘recalls’ an infinitely large number displayed on a board behind him.