A woman sits awake in a screen-lit room, awaiting news about her mother’s imminent passing. Tuning into the tides of electrical hum around her, she wonders about the parallels between this power and the force that gives life to the body.

At a Loss

Sarah Connolly's 'outstanding' (The Guardian) portrayal of the wronged Roman noblewoman, written originally for Kathleen Ferrier, lies at the hear of David McVicar's powerfully stark production for English National Opera as 'an everyday sort of woman who could be living at any time or place'. Her nemesis is the arrogant Tarquinius of Christopher Maltman, 'who made the air tingle with danger' (Financial Times). Sung in English.